投稿者: yuzo ono

https://gendaihaiku.gr.jp/?post_type=kikanshi

夏館魔王のごとく住み慣れる
　get used to living in
　the summer house
　like a demon king

https://www.kadokawa.co.jp/product/322210000727/

https://www.heibonsha.co.jp/book/b623041.html

https://www.soanywaymagazine.org/post/yuzo-ono-yasujiro-ozu-haiku-behind-modernism-or-vice-versa

https://www.kadokawa.co.jp/product/322111000054/

凍土ひそひそひそケルト文明史
　frozen ground —
　as a whisper
　history of Celtic civilization

西東忌前後左右の他人かな
　anniversary of Sanki’s death —
　strangers in front of, behind
　or to the left and right

春眠の稀に平行四辺形
　spring slumber 
　once in a while
　a parallelogram

https://books.rakuten.co.jp/rb/17348724/

http://yuzo-ono.com/wp-content/uploads/2022/11/Ani-Tohta-Keneko-1.pdf

2022 Tokutomi Contest Results

https://yths.org/wp-content/uploads/2022/10/2022_Tokutomi_Brochure.pdf

The long essay entitled ‘Japanese haiku from the viewpoint of English haiku — Beyond the argument of second-class art’ was published in this issue.

「haikuから見る俳句〜第二芸術論が照らすもの〜」

　1 haikuとアートをめぐる冒険
　2 第二芸術論が陳腐化した三つの可能性
　3 伝統と前衛をめぐるねじれ
　4 haikuにとっての精神と形式
　5 ジャック・ケルアックの西洋流俳句
　6 エズラ・パウンドが模索した切れ字

‘Japanese haiku from the viewpoint of English haiku — Beyond the argument of second-class art’

　1 adventures across haiku and art
　2 three possibilities that have made the second-class art theory obsolete
　3 twist over tradition and avant-garde
　4 spirit and form for haiku
　5 Jack Kerouac’s Western Haiku
　6 Ezra Pound’s exploration for kireji

https://www.fujisan.co.jp/product/2037/new/

Seven recent haikus, entitled ‘Parallelogram’, are published in this issue.

春眠の稀に平行四辺形
　slumber in spring
　once in a while
　parallelogram

https://www.kadokawa-zaidan.or.jp/haiku/backnumber/2207/